Movie Project #8: Into the Wild [2007]

Due to the overwhelming success of my initial Movies Project, I decided to do a second round for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.

Into the Wild [2007]

Into the Wild [2007]
Director: Sean Penn
Genre: Adventure/Biography/Drama
Starring: Emile Hirsch, Vince Vaughn and Catherine Keener
Runtime: 148 minutes

I was skeptical upon my viewing of Into the Wild. I have friends who swear by this movie, ranking it among their favorites, but I was worried that it would be too similar to Werner Herzog’s Grizzly Man, a similarly true tale that did very little for me. While both films have similar concepts — a man giving up everything to live in the wild — I felt that I could empathize more with Into the Wild’s lead character, much to the credit of director Sean Penn’s adaptation.

Emile Hirsch stars as Christopher McCandless, a middle-class kid who promptly gives up everything after graduating from college. He donates his savings (approx. $24,000) to Oxfam, ditches his car near a beach, and proceeds to live as a vagabond, happily drifting across the continental United States. His reason? He doesn’t agree with society, and the feeling of being trapped by its expectations. His ultimate goal is to live alone in the Alaskan wilderness.

This is an admirable notion, to be sure, but his lack of care and respect for his family is appalling. He doesn’t like his parents (Marcia Gay Harden and William Hurt), a stuck-up couple that are abusive to each other, but his little sister (Jena Malone) adores him. He shuns all of them, opting to go on his own personal journey.

Into the Wild [2007]

Christopher’s selfishness is disturbing, but it’s hard to stay upset at him thanks to Hirsch’s fantastic performance. He is charming, intelligent and has a strong set of morals when dealing with stranger (i.e. passing up on the chance to fornicate with a 16-year-old Kristen Stewart).

On the road, Christopher dubs himself Alexander Supertramp, and he meets a wide variety of characters, all memorable in their own way. There’s an old hippie couple (Catherine Keener and Brian H. Dierker) that he develops a strong connection with. In South Dakota, Alexander gets a job with a harvesting company owned by Wayne Westerberg (Vince Vaughn). In California, he meets an old retired veteran (Hal Holbrook, in an amazing performance) who begins to feel as if “Supertramp” is his own grandson. In different ways, Christopher makes an impact on all of their lives, then quickly goes off on his own, seemingly never to be seen again.

Into the Wild [2007]

The film is presented in nonlinear fashion, showing us glimpses of Christopher alone in Alaska, then showing us segments from his road trip leading up to that point. This connection is masterfully created by Sean Penn, who also wrote the screenplay. The cinematography is simply stunning, beautifully showcasing the glorious splendor that can be found in a country as large as the United States, even in places that might not be expected (i.e. South Dakota).

Special mention must be made of the movie’s soundtrack, performed by Pearl Jam’s Eddie Vedder. I am not a big Pearl Jam guy, but damn if this score doesn’t hit all the right spots. A perfect fit for the vast, expansive nature of the movie’s central theme.

Perhaps Into the Wild runs a little long, and yes, the main character is decidedly selfish, but this film is emotionally stirring in ways that I was not expecting. I felt a connection to this young man and his idealistic beliefs. He had a great message (and could have redeemed himself), it’s just a shame that he took it to such an extreme.

8/10

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Movie Project #41 and #42: Once Upon a Time in the West [1968] and The Thin Red Line [1998]

The 50 Movies Project is a personal “marathon” of mine. In June, I compiled a list of 50 movies that I felt I needed to see by the end of the year. Old, new, foreign, English — it doesn’t matter. These are all movies that I have heard a lot about and have been wanting to see for some time. This project gives me a way to stay focused on the goal.

Once Upon a Time in the West [1968]
Once Upon a Time in the West [1968, Sergio Leone]
Starring Henry Fonda, Charles Bronson, Claudia Cardinale.

My experience with Sergio Leone is limited. Out of his filmography, I have only seen The Good, The Bad & The Ugly, which I should probably watch again at some point. Once Upon a Time in the West bares a number of striking similarities to that epic — particularly its extended running time, masterful soundtrack and extraordinary cinematography. The opening scene alone, which has very little dialogue, captivated me from the start. Not much happened during this sequence, yet I was absolutely intrigued. The stunning shots of the wild west combined with extreme closeups of the characters’ faces were truly a thing of beauty.

It was also a lot of fun to see Henry Fonda play the villain, which is something I hadn’t seen him do before. Charles Bronson was excellent as his harmonica-playing adversary, and it was a real treat watching Claudia Cardinale as the dame caught up in the whole mess. While there was certainly a lot that I loved about the film, I was still a little turned off by the sheer longevity of it all. Leone sure loved to milk every scene as long as possible, and his attention to detail is extraordinary. I felt a little burned out by the end of the movie, but it certainly left a lasting impression on me. 8.5/10

The Thin Red Line [1998]
The Thin Red Line [1998, Terrence Malick]
Starring Jim Caviezel, Sean Penn, Nick Nolte.

Terrence Malick, seemingly a favorite director amongst movie bloggers, is someone I know I should become more familiar with. The Thin Red Line is the first film I have seen from him, and I figured this would be a great place to start, given my interest in World War II. The movie tells the story of a group of U.S. soldiers during the Battle of Mount Austen. We are introduced to a large ensemble cast of soldiers, including the likes of Jim Caviezel, Sean Penn, Adrien Brody, John Cusack, Woody Harrelson, Elias Koteas, Nick Nolte and more. This is a really impressive group of guys, but the fact that so many were introduced made it considerably more difficult to get to know them. Outside of a few major characters, including a fantastic turn by Nolte, we learn little about most of these soldiers. In a way, however, this is just the way war is. Men are sent to perform their duties, and new faces are brought in to replace those who have fallen.

The Thin Red Line moves along at a very methodical pace, and I can see how this would deter some viewers. I didn’t mind this at all, as it gave us a chance to see Malick’s stunning shots of Guadalcanal, a beautiful island now interrupted with violent warfare. One thing that did bother me, at least somewhat, was an over-reliance on philosphophical voiceovers. I don’t have a problem with these in general, but they happened too often for my liking. Still, there’s no question that TTRL is a visually astonishing film that offers a completely different (and refreshing) take on WWII compared to 1998′s other big film, Saving Private Ryan. 8/10