Movie Review: Django Unchained [2012]

Django Unchained [2012]

Django Unchained [2012]
Director: Quentin Tarantino
Writer: Quentin Tarantino
Genre: Action/Drama/Western
Starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Kerry Washington, Samuel L. Jackson
Running Time: 165 minutes

Django Unchained is an homage to many genres — the Spaghetti Western, Blaxploitation, revenge flicks — but at its core it is a Quentin Tarantino film. And no one makes movies like QT.

Set in 1858, three years before the Civil War, the film tells the story of a slave named Django (Jamie Foxx) — the “D” is silent. While being transported across the vast state of Texas with a group of other slaves, Django becomes a free man after they run into Dr. King Schultz (Christoph Waltz), a German bounty hunter. Schultz hires Django to aid him in finding and identifying the Brittle brothers, a trio of wanted fugitives. Their partnership works out rather well, and they end up working together throughout the winter, raking in good money by collecting bounties.

Django Unchained [2012]

We learn that Django had been sold away from his wife, Broomhilda (Kerry Washington), shortly before meeting Dr. Schultz. After their successful season of bounty hunting, the two men discover that Broomhilda is now the property of Calvin Candie (Leonardo DiCaprio), a very wealthy businessman known for his brutal “Candie Land” plantation. With a target now in sight, the unlikely duo head to Mississippi to bring her back alive.

If you are familiar with Tarantino at all, you will have a good idea of what to expect here. Violence is plentiful, the soundtrack is eclectic, and there are winks/homages to countless other films (even Franco Nero, the star of the 1966 film, Django, has a small role here). The man has no fear when it comes to directing, and he does things his own way. Want to include a bass-heavy Rick Ross song while Django walks across the screen? Sure, why the hell not? Some may question the use of modern rap during an 1850s film, but somehow it works surprisingly well. Tarantino’s soundtracks have always been favorites of mine, and Django Unchained does not disappoint in this regard.

Django Unchained [2012]

Of course, there has been a great amount of controversy with the film, most of which stems from its gratuitous usage of the “n-word” (most notably from Spike Lee, who refuses to even watch it). At times, it is uncomfortable watching all of these white actors rattling off racial slurs, but we must remember that this was what it was like during that time period. This isn’t a light subject matter, and quite frankly it would have been a mistake to stray away from this language.

It’s somewhat ironic that in a film named Django Unchained about a character named Django, that the actor portraying him has been receiving the fewest accolades. That’s unfortunate because Jamie Foxx really does a stellar job here. Django comes a long way during the film, and much of the character’s growth can be attributed to Foxx. Of course, it’s easy to be overshadowed when the rest of the cast is as good as it is. Christoph Waltz is the perfect complement to Django’s fiery character, and the two actors play off each other quite well.

Django Unchained [2012]

Leonardo DiCaprio is just as fantastic as the brutal, yet oddly charismatic, plantation owner. It is Samuel L. Jackson, however, who steals every scene he is in as Candie’s loyal head slave, Stephen. Jackson stated that he wanted to make Stephen the most hated black character in the history of cinema, and he makes a damn good case for that title. And, of course, because this is a Tarantino flick, there are a ridiculous amount of noteworthy cameos, with everyone from Bruce Dern, Walton Goggins, James Parks, Jonah Hill and even QT himself making an appearance.

Even with its lengthy running time (nearly three hours!), Django Unchained never fails to entertain. Once again, Quentin Tarantino has proven to be a master at recreating history as only he can.

9/10

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Movie Project #17: Coffy [1973]

Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.

Coffy [1973]

Coffy [1973]
Director: Jack Hill
Genre: Action/Crime/Thriller
Starring: Pam Grier, Booker Bradshaw and Robert DoQui
Runtime: 91 minutes

“They call her ‘Coffy’ and she’ll cream you!”

Coffy (Pam Grier) has had enough. She’s tired of the pushers, the pimps and the police corruption that have taken over her town. When her 11-year-old sister gets hooked on heroin and is sent to rehab, she decides to take matters into her own hands. Let’s be sure: this is one chick you DON’T want to mess with.

Jack Hill’s Coffy is one of the premier films from cinema’s prime blaxploitation period, and it kicked off a series of titles where Pam Grier played the lead badass. Grier is fantastic in this film, confidently taking on the lead role where she uses her inherent sexiness to infiltrate the seedy underworld.

Coffy [1973]

Coffy (the character) takes justice into her own hands by working from the inside to take down a flamboyant pimp named King George (Robert DoQui) and the violent Mafia boss Arturo Vitroni (Allan Arbus). She also finds out that her casual boyfriend, city councillor Howard Brunswick (Booker Bradshaw) is corrupt and has no problem working with drug dealers for his own personal gain. All of these men are targets for the feisty Coffy.

Coffy is a B-movie by and large, and it is a blast to watch. The exuberant 70s fashion, cheeky one-liners, gratuitous nudity and a killer soundtrack from Roy Ayers (with songs that helpfully describe the action on screen) all add up to make this a very fun ride. A must-see for anyone interested in 70s cinema and/or blaxploitation films.

8/10