Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.
All About My Mother 
Director: Pedro Almodóvar
Starring: Cecilia Roth, Marisa Paredes, Antonia San Juan, Penélope Cruz and Candela Peña
Runtime: 101 minutes
It is fitting that I included All About My Mother in this movie project, especially after recently watching All About Eve. Pedro Almodóvar’s 1999 ode to women won the Best Foreign Language Film Oscar that year, and it is laced with references to the seminal 1950 classic. Not only is this a movie also dominated by women, but there is even a brief clip of a Spanish dubbed version of All About Eve near the beginning of the film. At one point, the main character is even called Eve Harrington by name as a sort of insult. What’s funny is that I didn’t plan this at all; I added All About My Mother simply because multiple sources told me this was a great entry point into Pedro Almodóvar’s canon. Mission accomplished: I am now eager to see more of his work.
Argentine actress Cecilia Roth stars as Manuela, a nurse overcome by grief after watching her 17-year-old son die in a tragic car accident. Still suffering, she quits her job in the organ transplant department and travels to Barcelona to find her son’s father and tell him the news. While there, she meets up with an old friend, transvestite prostitute Agrado (Antonia San Juan), becomes close to a pregnant nun (Penélope Cruz), and also begins working for famous actress Huma Rojo (Marisa Peredes).
The lives of all four ladies become intertwined, but Manuela is very much the center of the film. Her maternal instincts are constantly being shown, as not only did she care for her son Esteban in the beginning, but she also spends much of the movie taking care of the nun Rosa during her pregnancy. Manuela is a powerful woman with a rough past, and this is displayed flawlessly by Cecilia Roth.
While a straight drama dealing with powerful topics, All About My Mother does have moments of much-welcomed comedy. These snippets of humor are mostly provided by Agrado, who acts as a warm source of comic relief. Agrado’s likable demeanor is especially present when a stage play goes awry, and the character is forced to improvise alone on stage. For a film that tackles such heavy topics as the death of a child, unplanned pregnancies and HIV, bits of laughter are very helpful to lighten the mood a bit.
All About My Mother is an intriguing film, one that does not pull any punches. Perhaps most interesting is that everyone was portrayed in the same light — men, women, transgender, none of that mattered. We are all human, and I don’t know if I have seen a better movie to demonstrate this.
Also, I would like to take this time to write a quick “For Your Consideration” note. As many of you know, the LAMMY Awards are underway. If you are a member of the wonderful LAMB (Large Association of Movie Blogs) community, I would love if you considered this 50 Movies Project for the Best Running Feature category. The Warning Sign is also eligible for Best New LAMB, and it would be a blast to be nominated for either award (or anything else, for that matter). Thanks as always for reading, and for your helpful consideration!